Beneath the glitter

One of the big changes painters taught in the western tradition have to make is not looking at icons as a progression from light to dark, or top to bottom. I don't adhere strictly to the idea that we must begin with the darkest layer or proplasmos (which too often becomes a thick and impenetrable blanket of pigment) but I have learned to look past the highlights. It's tricky because our eyes are drawn to the light, the sparkles, the glitter, in all parts of our life. As an iconographer, we have to gaze past that and find the foundations, the simpler, solid tones our forms are built on. … [Read more...]

An icon from start to finish.

This little icon has taken many months. Not because it takes many months but, for many reasons, I kept liking the stage we were at & leaving things be for a while. Having finally completed the enormous icon of the Transfiguration - more on that later! - I wanted to complete this so I have, as it were, a clean slate. This icon is based on the extremely old Theotokos of Philermos, but after a 16th century example. I saw it on the cover of a book by Egon Sendler and was transfixed. I have only experienced that feeling a few times and never before from a computer monitor rendering of an … [Read more...]